{"id":7,"date":"2020-04-15T22:21:38","date_gmt":"2020-04-15T20:21:38","guid":{"rendered":"http:\/\/reso-nance.org\/sophieabraham\/?page_id=7"},"modified":"2026-01-16T08:54:59","modified_gmt":"2026-01-16T07:54:59","slug":"a-propos-de","status":"publish","type":"page","link":"https:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/","title":{"rendered":"\u00c0-propos"},"content":{"rendered":"\n
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Je travaille principalement avec la photographie, et parfois aussi avec la vid\u00e9o, la gravure ou le dessin, les utilisant pour garder une trace mais aussi faire surgir ce qui a \u00e9t\u00e9 oubli\u00e9.
Mon travail explore la m\u00e9moire des savoir-faire anciens, des modes de vie et des paysages qui ont \u00e9volu\u00e9 ou sont sur le point de dispara\u00eetre. Je leur imagine de nouvelles formes d\u2019existence, entre survie et m\u00e9tamorphose.
Pour donner \u00e0 voir ces transformations, j\u2019interroge les diff\u00e9rentes temporalit\u00e9s \u00e0 l\u2019\u0153uvre : le temps lent et organique du vivant, ou celui, rapide, lin\u00e9aire, de l\u2019industrie et du productivisme : je fais ainsi cohabiter d\u2019anciens proc\u00e9d\u00e9s comme le tirage cyanotype, anthotype ou van dyke avec les nouvelles technologies.
Cette d\u00e9marche me permet aussi d\u2019explorer la mat\u00e9rialit\u00e9 de l\u2019image: la mani\u00e8re dont la lumi\u00e8re fait appara\u00eetre une image et comment l\u2019immat\u00e9rialit\u00e9 du num\u00e9rique entre en friction avec le support physique et photosensible de la photographie.
Derni\u00e8rement, dans une d\u00e9marche \u00e0 la fois \u00e9cologique et de r\u00e9appropriation de techniques que je sens m\u2019\u00e9chapper avec les progr\u00e8s du num\u00e9rique, j’essaie de fabriquer moi-m\u00eame mes mat\u00e9riaux : papier, encres, d\u00e9veloppeur, \u00e0 partir d\u2019\u00e9l\u00e9ments naturels ou recycl\u00e9s.<\/p>\n\n\n\n

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@cabanes_du_futur<\/a><\/p>\n\n\n\n

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————————————-<\/p>\n\n\n\n

Formation<\/p>\n\n\n\n

    \n
  • Programme d’accompagnement artistes-auteur.ices Curriculum Chrom\u00e9, Marseille – 2025<\/li>\n\n\n\n
  • Dipl\u00f4me National d\u2019Art,<\/strong> Ecole des Beaux-arts de Marseille – 2019 <\/li>\n\n\n\n
  • Master Action culturelle<\/strong> – arts du spectacle, Universit\u00e9 Blaise Pascal, Clermont Ferrand – 2016  <\/li>\n\n\n\n
  •  Formation aux techniques radiophoniques et r\u00e9alisation de programmes courts,<\/strong> Radio Campus Clermont-Ferrand – 2015 <\/li>\n\n\n\n
  • Licence de lettres modernes<\/strong>, Universit\u00e9 Rennes 2 & Universit\u00e9 Sv. Kl. Ohridski, Sofia, Bulgarie – 2013 <\/li>\n<\/ul>\n\n\n\n

    R\u00e9sidences<\/p>\n\n\n\n

      \n
    • Villa Salammb\u00f4,<\/strong> Sousse, Institut fran\u00e7ais de Tunisie, \u00e0 venir ( avril 2026)<\/em><\/li>\n\n\n\n
    • La Maison Forte<\/strong>, Monbalen, Lot-et-Garonne, mars et mai 2025 <\/li>\n\n\n\n
    • AvistaVulc\u00e3o<\/strong> : A Casa da Miss\u00e3o, \u00eele de Faial, A\u00e7ores, soutenu par l’Union Europ\u00e9enne et l’Institut Goethe, f\u00e9vrier 2025 <\/li>\n\n\n\n
    • Bourse du soutien \u00e0 la cr\u00e9ation artistique de la ville d’Aubagne<\/strong> , r\u00e9sidence Archive et patrimoine, 2024 <\/li>\n\n\n\n
    • Tanger, Institut fran\u00e7ais du Maroc<\/strong>, R\u00e9sidence artistique et culturelle,<\/strong> 2024 <\/li>\n\n\n\n
    • R\u00e9sidence Te Ataata, <\/strong>Auckland University of Technology & Ambassade de France en Nouvelle-Z\u00e9lande, Auckland, NZ, 2023 <\/li>\n\n\n\n
    • R\u00e9sidence Vivian Maier,<\/strong> photographe artiste-auteur, Champsaur-Valgaudemar, Drac PACA, 2023 <\/li>\n\n\n\n
    • Ateliers M\u00e9dicis<\/strong>, R\u00e9sidence Transat, La Saline-les-bains, \u00eele de la R\u00e9union, association Ou’guign 2022 <\/li>\n\n\n\n
    • Ateliers M\u00e9dicis, <\/strong>Cr\u00e9ation en cours, \u00e9cole primaire de Brian\u00e7onnet (06), 2021 <\/li>\n\n\n\n
    • Institut fran\u00e7ais d\u2019Istanbul<\/strong>, R\u00e9sidence & ateliers, Lyc\u00e9e Saint Beno\u00eet d\u2019Istanbul, 2016  <\/li>\n<\/ul>\n\n\n\n

      Expositions individuelles & duos<\/p>\n\n\n\n

        \n
      • \u00ab\u00a0Eat the landscape\u00a0\u00bb<\/strong>, galerie Camarupa, Horta, Portugal, en duo avec Anthony Pillette, 2025<\/li>\n\n\n\n
      • \u00ab\u00a0L’Autre Vall\u00e9e\u00a0\u00bb,<\/strong> maison de la photographie Vivian Maier, Pisan\u00e7on, 2024<\/li>\n\n\n\n
      • \u00ab\u00a0Cabanes du futur\u00a0\u00bb, <\/strong>Cabinet de curiosit\u00e9s, P\u00f4le culturel Chabran, Artoth\u00e8que de Draguignan, 2024<\/li>\n\n\n\n
      • \u00ab\u00a0Artefacts of a Future Past\u00a0\u00bb<\/strong>, Te Wai Ngutu K\u0101k\u0101 Gallery, AUT, Auckland CBD, Nouvelle-Z\u00e9lande, avec Anthony Pillette, 2023 <\/li>\n<\/ul>\n\n\n\n
          \n
        • \u00ab\u00a03ai.25<\/strong>\u00a0\u00bb : art in the age of ai, Ecole Sup\u00e9rieure d’Art Aix-en-Provence, Fondation Vasarely<\/strong>, 2025<\/li>\n\n\n\n
        • \u00ab\u00a0Expo Chrom\u00e9e\u00a0\u00bb, Jeanne Barret,<\/strong> Marseille, 2025<\/li>\n\n\n\n
        • \u00ab\u00a0Paysages de liens\u00a0\u00bb, la Maison forte,<\/strong> Monbalen, 2025<\/li>\n\n\n\n
        • Exposition dans le cadre des 20 ans du service Archives-Patrimoine <\/strong>de la Ville d’Aubagne, 2025<\/li>\n\n\n\n
        • Exposition du fonds de l’artoth\u00e8que,<\/strong> Chapelle du Bon Pasteur, <\/strong>Draguignan, 2024 <\/li>\n\n\n\n
        • \u00ab\u00a0Traces du futur\u00a0\u00bb,<\/strong> Parcours de l’art, Clo\u00eetre Saint-Louis,<\/strong> Avignon, 2022 <\/li>\n\n\n\n
        • \u00ab\u00a0Hybrid’art\u00a0\u00bb,<\/strong> Salon d’Art contemporain du Centre d’Art Fernand L\u00e9ger,<\/strong> Port-de-Bouc, 2022<\/li>\n\n\n\n
        • \u00ab\u00a0Amlam\u00e9\u00a0\u00bb, la Vie enchanti\u00e9e, Rennes, 2012<\/li>\n<\/ul>\n\n\n\n

          Exp\u00e9riences artistiques<\/p>\n\n\n\n

            \n
          • Membre du collectif<\/strong> Reso-nance num\u00e9rique<\/strong> depuis 2020 <\/li>\n\n\n\n
          • Intervenante arts visuels<\/strong> (centres sociaux, \u00e9coles d’arts, mus\u00e9es, associations …) de 2018 \u00e0 2020 <\/li>\n\n\n\n
          • S\u00e9lection du court-m\u00e9trage \u00ab\u00a0Elle s’appelle Kenny\u00a0\u00bb<\/strong> Festival International du Film Marseille,<\/strong> cat\u00e9gorie Fidcampus \/ Cinenova Lisbonne \/ Les Couleurs du court-m\u00e9trage Paris \/ Be bop Chanel Festival New-York 2019, London Lift-Off Festival 2020 <\/li>\n\n\n\n
          • Service civique – m\u00e9diation culturelle – Centre International des Arts en Mouvement<\/strong> (CIAM), Aix-en-Provence, 2016 <\/li>\n\n\n\n
          • Laur\u00e9ate prix \u00e9tudiant du carnet de voyage<\/strong>, Rendez-vous du Carnet de Voyage, Clermont-Ferrand, 2014<\/li>\n<\/ul>\n\n\n\n

            Interventions : stages, workshop (s\u00e9lection)<\/p>\n\n\n\n

              \n
            • Formations dans le cadre du dispositif Pass’culture<\/strong>, \u00e0 destination d’\u00e9tablissements du secondaire et sup\u00e9rieur<\/li>\n\n\n\n
            • Acad\u00e9mie Montpellier & Acad\u00e9mie Aix-Marseille <\/strong> : formation cyanotype & IA \u00e0 destination des professeurs du secondaire<\/li>\n\n\n\n
            • Biblioth\u00e8que et Archives de l’H\u00f4tel de ville de Paris<\/strong>, Festival Numok <\/li>\n\n\n\n
            • Acad\u00e9mie des Beaux-arts de Palerme<\/strong> : workshop cyanotype & IA <\/li>\n\n\n\n
            • Ambassade de France en Albanie<\/strong>, Mission culturelle : ateliers dans les 5 Alliances fran\u00e7aises et lyc\u00e9es bilingues d’Albanie <\/li>\n\n\n\n
            • Institut fran\u00e7ais du Maroc,<\/strong> Suivi projets fablabs, avec Reso-nance num\u00e9rique <\/li>\n\n\n\n
            • Ecole Sup\u00e9rieure de Design Marseille,<\/strong> projet \u00ab\u00a0mobilit\u00e9s du futur\u00a0\u00bb <\/li>\n\n\n\n
            • Galerie The Refinery Artspace<\/strong>, Nelson, Nouvelle-Z\u00e9lande <\/li>\n\n\n\n
            • Archives d\u00e9partementales<\/strong> Bouches-du-Rh\u00f4ne, Projet \u00ab\u00a0Ex machina\u00a0\u00bb <\/li>\n\n\n\n
            • Biblioth\u00e8ques d\u00e9partementales<\/strong> Bouches -du-Rh\u00f4ne, ateliers \u00ab\u00a0Cabanes du futur\u00a0\u00bb <\/li>\n\n\n\n
            • Association Art & d\u00e9veloppement<\/strong>, ateliers dans les quartiers nord de Marseille <\/li>\n\n\n\n
            • Ateliers M\u00e9dicis,<\/strong> le festival des ateliers, stage \u00ab\u00a0Cabane dans les bois\u00a0\u00bb <\/li>\n\n\n\n
            • Ecoles primaires <\/strong>publiques Marseille (Belsunce, Capelette, D\u00e9sir\u00e9e Clary)


              Collections<\/strong>: Artoth\u00e8que de Draguignan, pr\u00e9sence dans des collections priv\u00e9es<\/li>\n<\/ul>\n\n\n\n

              <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

               <\/p>\n\n\n\n

              <\/p>\n\n\n\n

              <\/p>\n\n\n\n

              <\/p>\n","protected":false},"excerpt":{"rendered":"

              Je travaille principalement avec la photographie, et parfois aussi avec la vid\u00e9o, la gravure ou le dessin, les utilisant pour garder une trace mais aussi faire surgir ce qui a \u00e9t\u00e9 oubli\u00e9.Mon travail explore la m\u00e9moire des savoir-faire anciens, des modes de vie et des paysages qui ont \u00e9volu\u00e9 ou sont sur le point de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"resume-page-template.php","meta":{"footnotes":""},"yoast_head":"\n\u00c0-propos - Sophie Abraham ateliers artistiques<\/title>\n<meta name=\"description\" content=\"SITE EN MAINTENANCE\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0-propos - Sophie Abraham ateliers artistiques\" \/>\n<meta property=\"og:description\" content=\"SITE EN MAINTENANCE\" \/>\n<meta property=\"og:url\" content=\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/\" \/>\n<meta property=\"og:site_name\" content=\"Sophie Abraham\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-16T07:54:59+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/\",\"url\":\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/\",\"name\":\"\u00c0-propos - Sophie Abraham ateliers artistiques\",\"isPartOf\":{\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/#website\"},\"datePublished\":\"2020-04-15T20:21:38+00:00\",\"dateModified\":\"2026-01-16T07:54:59+00:00\",\"description\":\"SITE EN MAINTENANCE\",\"breadcrumb\":{\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/a-propos-de\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"http:\/\/reso-nance.org\/sophieabraham\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00c0-propos\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/#website\",\"url\":\"http:\/\/reso-nance.org\/sophieabraham\/\",\"name\":\"Sophie Abraham - Arts visuels et ateliers\",\"description\":\"\",\"publisher\":{\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/#\/schema\/person\/4f45bbb47675973d82d19935df8a3f8f\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/reso-nance.org\/sophieabraham\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/#\/schema\/person\/4f45bbb47675973d82d19935df8a3f8f\",\"name\":\"sophie\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/18c88c97ee33922b7882dfaa0108b751?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/18c88c97ee33922b7882dfaa0108b751?s=96&d=mm&r=g\",\"caption\":\"sophie\"},\"logo\":{\"@id\":\"http:\/\/reso-nance.org\/sophieabraham\/#\/schema\/person\/image\/\"},\"description\":\"Apr\u00e8s des \u00e9tudes de litt\u00e9rature et gestion de projets culturels, j'ai travaill\u00e9 dans la m\u00e9diation culturelle avant de passer un Dipl\u00f4me National d'Art \u00e0 l'Ecole des Beaux-Arts de Marseille. 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