Brane<\/span> Project<\/h1>\n12h15 \u00e0 13h00<\/h3>\n
Robert Kieffer\u00a0\u2013 \u00ab\u00a0Tank\u00a0\u00bb 6\u201908
\nGa\u00ebtan Parseihian \u2013 \u00ab\u00a0Pass\u00e9 L\u00e9gendaire\u00a0\u00bb 6\u201926
\nRapha\u00ebl Parseihian \u2013 \u00ab\u00a0Terreau d’ondes\u00a0\u00bb : 16’30
\nRobert Kieffer\u00a0\u2013 \u00ab\u00a0Spark\u00a0\u00bb 10\u201910<\/p>\n
Concert #3 |\u00a0Daath Record<\/h1>\n13h15 \u00e0 14h45<\/h2>\n
David Merlo\u00a0\u00abVariance V\u00bb\u00a015\u2019
\nNicol\u00f2 Terrasi\u00a0\u00ab\u00a0studio sopra un frammento di albero\u00a0\u00bb\u00a014\u2019
\nBertrand Wolff\u00a0\u00ab\u00a0Galat\u00e9e\u00a0\u00bb 14\u2019
\nGa\u00ebtan Parseihian \u00a0\u00ab\u00a0Voyage \u00e9lectrique\u00a0\u00bb 9\u201920
\nLucien Gaudion\u00a0\u00ab\u00a0cycle vulcano\u00a0\u00bb 10\u2019
\nPom Bouvier b.\u00a0\u00ab spin \u00bb 10\u201930
\nClara de Asis\u00a0\u00ab\u00a0La troisi\u00e8me heure\u00a0\u00bb\u00a010\u201916<\/p>\n
Lives |<\/h1>\n15h00 \u00e0 15h15<\/h3>\n
Nicolas Lebar, Rapha\u00ebl et Ga\u00ebtan Parseihian \u2013 Live piano et acousmatique<\/p>\n
Concert #4 | Les Jardins M\u00e9caniques<\/h1>\n15h15 \u00e0 17h<\/h3>\n
Ga\u00ebtan Parseihian\u00a0\u2013 \u00ab\u00a0La for\u00eat m\u00e9canique\u00a0\u00bb\u00a0: 7\u201930
\nRapha\u00ebl Parseihian \u2013 \u00ab\u00a0\u00c9l\u00e9gie nocturne\u00a0\u00bb : 8’30
\nCl\u00e9ment Benitah \u2013 \u00ab\u00a0BamaK\u00a0\u00bb \u2013 7\u201910
\nRobert Kieffer\u00a0\u2013 \u00ab\u00a0Mecanical Garden\u00a0\u00bb\u00a0 10\u201910
\nLo\u00efse Bulot \u2013 \u00ab\u00a0H\u00e9speria\u00a0\u00bb \u2013 9\u201930
\nMaxime Barth\u00e9lemy \u2013 \u00ab\u00a0Bleu, blanche, rouges\u00a0\u00bb \u2013 6\u201906
\nFran\u00e7ois Wong \u2013 13\u201900
\nClara de Asis \u2013 \u00ab\u00a0La terre se tasse\u00a0\u00bb \u2013 3\u201919
\nRapha\u00ebl Parseihian \u2013 \u00ab\u00a0Un possible voyage\u00a0\u00bb : 19\u201958
\nGa\u00ebtan Parseihian\u00a0\u2013 \u00ab\u00a0Somni\u00a0\u00bb : 11\u201930<\/p>\n","protected":false},"excerpt":{"rendered":"
Acousmonium au LFO<\/p>\n","protected":false},"author":5,"featured_media":1354,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,98],"tags":[106,104,105],"_links":{"self":[{"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/posts\/1352"}],"collection":[{"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/comments?post=1352"}],"version-history":[{"count":6,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/posts\/1352\/revisions"}],"predecessor-version":[{"id":2389,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/posts\/1352\/revisions\/2389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/media\/1354"}],"wp:attachment":[{"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/media?parent=1352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/categories?post=1352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reso-nance.org\/wp-json\/wp\/v2\/tags?post=1352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}